2024-01-15 09:30:11 -
尺寸大小:实物没有我意料中的大


2024-01-28 14:42:06 -
感觉还不错,设计合理,放东西也方便。

2024-01-28 13:02:22 -
比那次去实体店试的还好,实惠。下次还可以叫朋友买还可以吧,不好意思货早收到没有极时平价

2024-01-08 09:46:44 -
泡沫数量:非常满意主要是香味 真香 包装外观:非常多层的包装哈哈哈环保吗 洗净效果:很满意已经回购多次了 使用感受:非常满意


2024-01-10 09:51:45 -
秒杀到的,看着不错,平时擦擦衣服上粘的脏东西挺好

2024-01-19 10:12:33 -
外观好看,手感不错,做工精细,空间很大,与图片一样

2024-01-16 12:32:47 -
尺码大小:大小合适 轻便舒适:很赞 透气性能:只要不剧烈运动足够了 舒适程度:很赞 柔软程度:还不错 其他特色:鞋带黑白双搭配很赞

2024-01-16 07:46:32 -
白色的软皮包包很愿意藏污纳垢,看上去非常不高大上,看了很多款果断选择了翰皇美容去污膏,小小的一瓶大大的能量,用赠送的擦包布倒上一点膏轻轻擦拭很容易就擦掉了,很好用,味道是香香的,不错


2024-01-15 10:53:33 -
面料柔软弹性较好试了一下感觉良好


2024-01-14 11:54:34 -
第二次买了,头一回买一个是看看质量如何,结果是非常满意,材质好,防水效果不错,收纳容量非常大,能放好几个被子且密封效果好。


紐約英文媒體對《夜殺》的劇評(zt)

CRITICAL PRAISE FOR YANGTZE REPERTORY THEATRE'S 
"MIDNIGHT KILL"

WRITTEN AND DIRECTED BY K.K. WONG
CLOSES THIS WEEK 
FINAL PERFORMANCE SUNDAY, MAY 22

Midnight Kill
A moving and eye-opening look back at a significant time in China’s history and the reality of life in one small town.

Bingcong Zhu, Chun Cho, Chien-Lun Lee and Robert Cheung in a scene from “Midnight Kill” (Photo credit: Remy)

Chilling, emotional and reflective, K.K. Wong’s Midnight Kill takes the audience on a journey through a Chinese town in the 1970’s after a gruesome murder takes place. The opening scene is raw and powerful – instantly grabbing your attention and causing you to ask questions about the conditions surrounding what has just taken place. Based on a true story, this play is performed in Mandarin Chinese with English subtitles, translated by Hai-Ying Li.


This drama paints a picture of the type of society and conditions citizens of this oppressive land had to endure in an intense time period. The audience discovers a scandalous secret involving beloved schoolteacher, Mei, played by Chun Cho and younger man, Li, played by Wanning Jen. The thorough plotline helps fill in the blanks as this relationship unfolds and hints at how it will come to impact the whole community.

 

Courtney Marie, Critic

As the actors interact with each other and work to share this story, the spirit and tenacity in which they do so is something remarkable. Their presence and focus in bringing a significant time in history to life leaves the audience with chills. While it is so important to pay attention to the subtitles in this production, as it signifies when time and seasons pass, it is hard to tear your eyes away from the living story taking place on stage. With a set design also by K.K. Wong that uses simple props to illustrate the basic lifestyle of the residents, audience members get a feel for the day-to-day life in this community. At times, it is challenging to keep up with processing the subtitles and watching the action on stage, and intense concentration is essential in understanding the continued series of events.

Wanning Jen and Chun Cho in a scene from “Midnight Kill” (Photo credit: Remy)


Costume design by Kevin Yang relies on simple fabrics and colors for the wardrobe of the cast, to reflect the setting in which they lived – a rural, poor, and halted society. Citizens woke up, went to school, worked and remained obedient in this oppressive society – expected to accept a life full of monotony and fear. Bingcong Zhu, who stars as Wu, clings to her youthful energy and brings vivacity to the bleakness with her zest for adventure and love of laughter – – providing a refreshing and joyful break. In this tale, it is nice to be reminded of the good and purity in the world that still exists even when the most horrific days seem to have no end.


For a moving and eye-opening look back at a significant time in China’s history and the reality of life in one small town, Midnight Kill, sheds light on the mystery of human nature and motivation. Guaranteed to stop audiences in their tracks and keep the mind’s wheels turning.

May 6 to 22, 2016
Theater for the New City (Joyce & Seward Johnson Theater), 
155 First Ave., NYC (between 9th and 10th Streets)
Presented by Yangtze Repertory Theatre of America 
Wednesdays through Saturdays at 7:30 PM, Sundays at 2:00 PM
Tickets: $20 general admission, $15 seniors & students. 
Wednesdays: pay what you can.
(available day of performance at box office only, 
advance sales regular price).
Box office: SMARTTIX, , 212-868-4444.
Chinese language info and reservations: 
Running time 1 hr 40 min.

 

 



Yangtze Repertory Theatre of America was founded in 1992 to produce works for and by Asian artists. Since then, it has become New York's most significant entry point for dramatic works from Chinese-speaking countries and a place of collaboration for artists from various parts of Asia.
BECOME A SUPPORTER

Midnight Kill

 

A moving and eye-opening look back at a significant time in China’s history and the reality of life in one small town.

Bingcong Zhu, Chun Cho, Chien-Lun Lee and Robert Chang in a scene from “Midnight Kill” (Photo credit: Remy)

Bingcong Zhu, Chun Cho, Chien-Lun Lee and Robert Cheung in a scene from “Midnight Kill” (Photo credit: Remy)

 

Courtney Marie

Courtney Marie, Critic

Chilling, emotional and reflective, K.K. Wong’s Midnight Kill takes the audience on a journey through a Chinese town in the 1970’s after a gruesome murder takes place. The opening scene is raw and powerful – instantly grabbing your attention and causing you to ask questions about the conditions surrounding what has just taken place. Based on a true story, this play is performed in Mandarin Chinese with English subtitles, translated by Hai-Ying Li.

 

This drama paints a picture of the type of society and conditions citizens of this oppressive land had to endure in an intense time period. The audience discovers a scandalous secret involving beloved schoolteacher, Mei, played by Chun Cho and younger man, Li, played by Wanning Jen. The thorough plotline helps fill in the blanks as this relationship unfolds and hints at how it will come to impact the whole community.

As the actors interact with each other and work to share this story, the spirit and tenacity in which they do so is something remarkable. Their presence and focus in bringing a significant time in history to life leaves the audience with chills. While it is so important to pay attention to the subtitles in this production, as it signifies when time and seasons pass, it is hard to tear your eyes away from the living story taking place on stage. With a set design also by K.K. Wong that uses simple props to illustrate the basic lifestyle of the residents, audience members get a feel for the day-to-day life in this community. At times, it is challenging to keep up with processing the subtitles and watching the action on stage, and intense concentration is essential in understanding the continued series of events.

Wanning Jen and Chun Cho in a scene from “Midnight Kill” (Photo credit: Remy)

Wanning Jen and Chun Cho in a scene from “Midnight Kill” (Photo credit: Remy)

Costume design by Kevin Yang relies on simple fabrics and colors for the wardrobe of the cast, to reflect the setting in which they lived – a rural, poor, and halted society. Citizens woke up, went to school, worked and remained obedient in this oppressive society – expected to accept a life full of monotony and fear. Bingcong Zhu, who stars as Wu, clings to her youthful energy and brings vivacity to the bleakness with her zest for adventure and love of laughter – – providing a refreshing and joyful break. In this tale, it is nice to be reminded of the good and purity in the world that still exists even when the most horrific days seem to have no end.

For a moving and eye-opening look back at a significant time in China’s history and the reality of life in one small town, Midnight Kill, sheds light on the mystery of human nature and motivation. Guaranteed to stop audiences in their tracks and keep the mind’s wheels turning.

Midnight Kill (through May 22, 2016)

Yangtze Repertory Theatre of America

Theater for the New City, 155 First Ave, between 9th and 10th Streets, in Manhattan

For tickets, call .

Running time:  one hour and 40 minutes with an intermission

Courtney Marie
About Courtney Marie ()
Courtney Marie is a New Jersey native with a tremendous love for the Big Apple. She has a degree in journalism and currently works in media. In addition to devouring all the theater that New York City has to offer, she also takes to the stage with AfterWork Theater Project and is grateful for the chance to perform with friends.

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